Nick Gravenites - My Labors (1969 us, awesome blues rock, 2010 Retro edition)



Singer and songwriter, bandleader and producer, raconteur and poet of the blues; Nick Gravenites is one of those seminal sixties figures whose contributions to American music cannot be measured solely by his discography. Although often overshadowed by such famous friends as Janis Joplin and Michael Bloomfield, Gravenites' 40 year career links the folk revival of the fifties with the Chicago blues scene of the early sixties and the post- 1965 West Coast psychedelic rock explosion.

He has worked with the Paul Butterfield Blues Band, Janis Joplin and Big Brother and The Holding Company, Mike Bloomfield and the Electric Flag, and John Cipolina and Quicksilver Messenger Service. He has written songs and produced records for a host of Chicago blues legends including Otis Rush, Muddy Waters, Howlin' Wolf, James Cotton and Buddy Guy. But My Labors is the only Nick Gravenites solo album ever issued by a major label (in 1969, as US Columbia 9899).

To quote one of his best-known songs, Nick Gravenites was "Born In Chicago" in 1938. The son of Greek-American immigrants, he grew up in the city's Brighton Park section, where his father George was a candy maker. Nick described his childhood in this ethnic "white ghetto" in a fascinating memoir of his early years, first published in Blues Revue (1995-96). In addition to the pop tunes on the radio, he heard records of Greek string bands and - after the death of George Gravenites in 1949 - listened to his mother "sing and cry her pain in the sad, melismatic style we Greeks call metaloyia... music I will never forget."  

By early 1967, Gravenites had relocated to the Bay Area and become a vital participant in the burgeoning San Francisco scene. With Mike Bloomfield and Barry Goldberg, he co-founded a new horn-powered band called the Electric Flag. Which made its stage debut in June '67 at the Monterey Pop Festival. With Buddy Miles on drums and Harvey Brooks on bass, this group - although never effectively captured on record - was for a too brief time one of the most exciting and accomplished stage bands in American rock. As the Flag's front man, Gravenites conveyed a tough, bluecollar charisma.

A mostly-live a l b u m . My Labors had its genesis in the studio, and three songs from those sessions were included on the original LP. But in January and February 1969, Nick Gravenites participated in a series of live recordings at the Fillmore West in San Francisco, portions of which were issued the following October as Live At Bill Graham's Fillmore West.
by Andy Schwartz, April 2001


Tracks
1. Killing My Love - 5:19
2. Gypsy Good Time - 4:30
3. Holy Moly - 3:55
4. Moon Tune - 8:55
5. My Labors - 2:55
6. Throw Your Dog A Bone - 2:57
7. As Good As You've Been To This World - 2:41
8. Wintry Countryside - 13:12
9. It Takes Time (Otis Rush) - 4:14
10.Blues On A Westside - 15:32
11.It's About Time - 7:02
All Songs written by Nick Gravenites except Track 9.

Musicians
*Michael Bloomfield - Lead Guitar
*Mark Naftalin - Piano
*Ira Kamin - Organ
*John Kahn - Bass
*Bob Jones - Drums
*Dino Andino Conga
*Noel Jewkis - Tenor Sax
*Gerald Oshita - Baritone Sax
*Snooky Flowers Baritone sax
*John Wilmeth – Trumpet
*Nick Gravenites – Vocals, Guitar

1967  Electric Flag - The Trip
196?-7? The Electric Flag - Live
1968-69  An American Music Band / A Long Time Comin'
1969  Michael Bloomfield with Nick Gravenites & Friends - Live At Bill Graham's Fillmore West
1970-71  Big Brother And The Holding Company - Be A Brother / How Hard It Is 

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The Third Power - Believe (1970 us, detroit high energy acid rock, 2010 Relics extra tracks issue)



This three-piece hailed from Detroit, and formed as The Blewsies in 1967, with a line-up of Drew Abbott (guitar, vocals), Jem Targal (bass, vocals) and Jim Craig (drums). Living together in a rented farmhouse, they played all the local rock clubs, and issued a 45 on the tiny Baron Records in 1968 'We, You, I' / 'Snow'.

The disc received local airplay, but barely sold outside the area. Both sides are included as bonus tracks here. The band were soon supporting local heroes the MC5 and others at the legendary Grande Ballroom. By 1969 they'd signed a record deal with Vanguard, a predominantly folk label that was (largely unsuccessfully) branching out into psychedelic rock.

Produced by famed blues historian Sam Charters, the raw and heavy Believe was released in May 1970. 'A trio who manage to stay away from the Cream / Hendrix pitfalls and produce an album with some substance', wrote Circus magazine that July, while the American Record Guide commented that 'this trio has produced a record of above-average interest. The sheer volume output is staggering (as are the power and clarity of Vanguard's engineering), and there is enough musical interest in Drew Abbott's guitar-playing to hold the listener'.

Stereo Review were far less complimentary, stating that The Third Power sounds, on recordings at least, just as loud and just as overbearing as Grand Funk Railroad. Producer Sam Charters has been responsible for some of Vanguard's finest blues collections, but his powers of musical perception must have been out to lunch when he put this date together. This one is for masochists only.'

The album sold poorly, prompting the band to split. Targal went on to release a highly-rated solo LR Lucky Guy, in 1978, while Abbott joined Bob Seger's Silver Bullet Band.


Tracks
1. Gettin’ Together - 4:24
2. Feel So Lonely - 4:20
3. Passed By - 3:45
4. Lost In A Daydream - 2:35
5. Persecution - 3:29
6. Comin’ Home - 3:54
7. Won’t Beg Anymore - 4:31
8. Crystalline Chandelier - 3:24
9. Like Me Love Me - 6:06
10.We, You, I (Bonus track) - 3:22
11.Snow (Bonus track) - 2:44

The Third Power
*Drew Abbott - Guitar, Vocals
*Jem Targal  - Bass, Vocals
*Jim Craig - Drums

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Electric Flag - The Trip (1967 us, cool experimental psych for a great exploitation movie, 2011 Reel Time issue)



The first studio recordings of The Electric Flag, Michael Bloomfield’s swaggering soul / jazz / rock ensemble… Fine Jung Thing and Peter Gets Off are wild, jazzy rockers, which perfectly score Fonda’s Sunset Strip / trip adventures… Also, there are a few early efforts from synthesizer pioneer Paul Beaver’  
All Music

Starring Peter Fonda and Dennis Hopper, written by Jack Nicholson and directed by Roger Corman, The Trip practically defines the psychedelic exploito film genre. Its superb soundtrack was originally released in September 1967, and features 18 tracks by the nascent Electric Flag, with outstanding guitar from the great Mike Bloomfield, and prominent contributions from Moog maestro Paul Beaver. Showing influences from rock, blues, jazz and classical music, it is simply one of the best psychedelic albums of the period, and is reissued in its full form for the first time.


Tracks
1. Peter's Trip - 2:32
2. Joint Passing - 1:04
3. Psyche Soap - 0:52
4. M-23 - 1:12
5. Synesthesia - 1:45
6. A Little Head - 1:44
7. Hobbit - 1:08
8. Inner Pocket - 3:35
9. Fewghh - 0:58
10.Green And Gold - 2:45
11.The Other Ed Norton - 2:51
12.Flash, Bam, Pow - 1:26
13.Home Room - 0:52
14.Peter Gets Off - 2:23
15.Practive Music - 1:25
16.Fine Jung Thing - 7:25
17.Senior Citizen - 2:56
18.Gettin' Hard - 4:02
All compositions by The Electric Flag

Musicians
*Harvey Brooks - Bass
*Mark Doubleday - Flugelhorn
*Nick Gravenites - Guitar, Vocals
*Barry Goldberg - Harpsichord, Organ, Piano
*Mike Bloomfield - Lead Guitar
*Buddy Miles -  Percussion –
*Peter Strazza - Tenor Saxophone
*Paul Beaver - Moog Synthesizer
*Mark Doubleday - Trumpet
*Bob Notkoff - Violin

196?-7? The Electric Flag - Live
1968-69  An American Music Band / A Long Time Comin'
1966-68  The Paul Butterfield Blues Band - Strawberry Jam
1969  Mike Bloomfield And Al Kooper - The Live Adventures Of Mike Bloomfield And Al Kooper
1969  Michael Bloomfield with Nick Gravenites & Friends - Live At Bill Graham's Fillmore West
1970-71  Big Brother And The Holding Company - Be A Brother / How Hard It Is 

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Smack - Smack (1968 us, fuzzed heavy psych blaster, 2012 Shadoks release)



Recorded in late July early August 1968 in Lawrence, Kansas USA. The four of us were all summer scholarship music and arts students attending Kansas University (KU) in Lawrence, Kansas. 

There was a producer from the University that kept us all focused on the recording along with the engineer manning the board and 4 track recording machine. All music tracks were cut 'Live' - We overdubed lead vocals and background vocals. I can't remember the name of the studio - It may have been called Lawrence Recorders - a small 4 track commercial recording facility - radio adverts, TV over dubs etc and serving bands like ours for demos. 

Lawrence is a small college town - some 86,000 students during the regular School  year. That year there were some 2800 summer students attending a 6 week summer arts scholarship session -1800 females and 900 males. Students Dram all over the US attended on a scholarship program. We all met in the beginning of the summer session and became fast friends - and started our band literally overnight. We'd seen a band perform from Lawrence at a welcome dance the night before. 

That was how it all started. The next day Smack was born. We played a gig several weeks later and the next thing you know we were all 'stars' of the campus. Someone from the university arranged for us to go in and record an album. What a magical time - We all loved the main bands of the era Cream, Jimi Hendrix, The Who, The Moby Grape, The Kinks, The Beatles and The Rolling Stones, The Buffalo Springfield, The Yardbirds, anything Motown and the like. 

Imagine being 17, connected and playing and singing in a band with three other cats - It was cool and we were swinging …..
It was the Summer of Love ...
Phil Brown, August 2011


Tracks
1. Purple Haze (Hendrix) - 3:49
3, Fire (Hendrix) - 2:48
3. Sunshine Of Your Love (Clapton, Bruce, Brown) - 4:22
4. I'm So Glad (James) - 4:06
5. Swlabr (Brown, Bruce) - 2:32
6. Manic Depression  (Hendrix) - 3:00
7. Set Me Free (Davies) -  2:05
8. For Whiat It's Worth (Stills) - 2:36
9. Foxey Lady  (Hendrix) - 3:17

Smack
*Jim Uhl – Guitar,  Lead Vocals
*Alvin Heywood – Bass, Lead Vocals
*Phil Brown – Bass,  Lead Vocals
*Lee Overstreet - Drums

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A Bolha - Um Passo A Frente (1973 brazil, sensational heavy psych with progressive and jazz drops, bonus tracks edtion)



Brazilian band The Bubbles became the toast of the underground Rio de Janeiro scene, backing Tropicalist singer Gal Costa's residence at the Sucata night club in 1970. They won the "Best Band of the Festival" award at the VII FIC of 1971 (International Festival of Songs), the same year they appeared on Leno's "Vida y obra de Johnny McCartney" album. 

After venturing to England to attend the Isle of Wight Festival, they decided to experiment with a heavier sound, more akin to UK bands of that era (Deep Purple, Cream, King Crimson, Humble Pie, with a little Beatles' "White Album" in for good measure) than that of their Brazilian cohorts. At this point they changed their name to A Bolha. 

Still loaded with verve, swagger, and fueled by drugs, they recorded their first album, which has secured a permanent place as one of the best hard psych rock albums to ever emerge from South America. The LP, "Um Passo a frente" (A step forward), was released in 1973 by the Continental label, in a gatefold cover which was quite luxurious for the era. 

This masterpiece, now impossibly hard to find as an original, certainly made a name for A Bolha in the pantheon of 1970's Brazilian rock. But success in the early 1970's was not like it had once been in the old Jovem Guarda or Tropicalist days, when bands had weekly TV shows to help them become well-known nationwide—and eventually, worldwide. 

In other words, the meager abilities of Continental to promote the album made it a collector's item, not the fate a band would actively seek for their recordings. Luckily, we at Lion Productions are able to present these recordings to the world all over again, with the additional benefit of a 20-page booklet with band history, photos, and comments on the songs by band leader Renato Ledeira. Includes both sides of the band's infamous hard-rocking 1971 single as bonus tracks.


Tracks
1. Um Passo A Frente (Lima, Schroeter, Ladeira, Bittencourt) - 9:08
2. Razão De Existir (P. Lima) - 4:37
3. Bye My Friend (P. Lima) - 2:57
4. Epitáfio (Lima, Schroeter, Ladeira, Bittencourt) - 6:04
5. Tempos Constantes (P. Lima) - 5:36
6. A Esfera (P. Lima) - 3:40
7. Neste Rock Forever (C. Marciel, Wolf, Lima) - 10:02
8. Sem Nada (P. Lima) - 3:46
9. 18:30 Parte 1/ Os Hemadecons Cantavam Em Coro Choooo (P. Lima) - 5:31

A Bolha
*Pedro Lima - Acoustic Guitar , Lead Guitar, Overtones, Voice
*Lincoln Bittencourt - Bass, Voice
*Gustavo Schroeter - Drums, Voice
*Renato Ladeira - Hammond Organ, Farfisa, Guitar, Voice
Guest Musicians
*Luiz Eca - Piano
*Ion Muniz - Flute, Sax
*Tomas Improta - Piano

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The Amboy Dukes - Migration (1969 us, hard psych, korean remaster)



The most prominent feature of Migration (the Amboy Dukes' third recording, originally released on Mainstream records) is the lack of a spaced-out follow-up to the group's biggest hit, "Journey to the Center of Your Mind." Perhaps "terrible" Ted Nugent was starting to win the drug war that was beginning to wage within the band, a war that would ultimately claim more than a few key lineup casualties. 

No matter the reason, Migration -- with it's less opaque drug references and general grooviness -- was given a cool reception at record stores as listeners perhaps became slightly confused about the Michigan band's intentions while pondering Nugent's relatively eclectic musical approach. Case in point: the spot-on version of Frankie Lymon and the Teenagers' "I'm Not a Juvenile Delinquent." 

Besides this bizarre but affective cover, other highlights include the instrumental opener "Migration" and one of Nugent's all-time favorite songs, "Good Natured Emma." More ambitious than the group's huge-selling effort from the year before, "Migration" might be the better of the two discs, if not the best of the Amboy Dukes' career. 
by Jason Anderson


Tracks
1. Migration (Nugent) - 6:06
2. Prodigal Man (Nugent) - 5:48
3. For His Namesake (Farmer) - 4:26
4. I'm Not A Juvenile Delinquent (Levy) - 1:53
5. Good Natured Emma (Nugent) - 4:37
6. Inside The Outside (Farmer) - 3:22
7. Shades Of Green And Grey (Farmer) - 3:05
8. Curb Your Elephant (Solomon) - 3:49
9. Loaded For Bear (Nugent) - 3:05
10. J.B. Special (Nugent, Farmer) - 2:32
11. Sobbin' In My Mug Of Beer (Nugent, Farmer) - 2:21

The Amboy Dukes
*Ted Nugent - Lead Guitar, Percussion
*Rusty Day - Lead Vocals, Percussion
*Greg Arama - Bass, Bass Vocals, Percussion
*Dave Palmer - Drums, Percussion
*Andy Solomon - Keyboards, Vocals, Horns, Percussion, Strings
*Steve Farmer - Rhythm Guitar, Vocals, Strings

1967  The Amboy Dukes
1968  Journey To The Center Of The Mind

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Rain - Norsk Suite (1969 norway, elegant art psych with early prog touches, 2012 Shadoks issue)



Norway's most well kept secret has been betrayed and solved! This great band has only released a very rare 45rpm EP, which was the soundtrack for the Norwegian movie 'Rivalen'. 

Very much like Frank Zappa and The Mothers, RAIN's complex compositions were based on the skills of modern classic composers such as Varèse and Strawinsky. As a strong influence they've mentioned Vanilla Fudge. The album features 10 excellent tracks with horns and orchestral arrangement, great fuzz guitar, Hammond organ and amazing vocals. 

This Norwegian rock band had the strong urge to exceed limits, both musically and technically. Rain's members were Carl Jurgen Kionig (drums), Knut Heljar Hagen (organ, piano, vocals, bass) and Asmund Feidje (guitar, violin, vocals, bass). 

Album was recorded in 1969-'70. Besides 7 own compositions they played mind blowing versions of 'A Day In The Life', 'Strawberry Fields Forever' and 'Isolation'. Their very complex and difficult arrangements required a lot of practice, but the band managed to turn their concerts into a total experience with a spectacular psychedelic light-show and experiments with "surround" sound. 


Tracks
1. A Day In The Life (Lennon, McCartney) - 4:51
2. Whine And Wail (Hagen, Feidje, Kionig) - 5:25
3. Strawberry Fields Forever (Lennon, McCartney) - 5:17
4. Norsk Suite (Kionig) - 6:08
5. Join The City War (Kl. Hagerup, Hagen, Feidje, Kionig) - 4:07
6. Ikke Vær Redd Far (Hagerup, Hagen, Feidje, Kionig) - 4:38
7. Have You Seen Your Father's Face (Hagerup, Hagen, Feidje, Kionig) - 3:59
8. Svein's Vise (Hagen, Feidje, Kionig) - 8:26
9. Isolation (Lennon) - 2:49
10.Siste Ordre (D. Hare, T. Bical, N. Bical, Kionig) - 5:54
11.Tapha (Bonus Track) (Hagen, Feidje, Kionig) - 21:03

Rain
*Åsmund Feidje - Vocals, Guitar, Violin
*Knut Heljar Hagen - Vocals, Piano, Organ
*Carl Jorgen Kionig - Drums

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