The National Gallery - Performing Musical Interpretations Of The Paintings Of Paul Klee (1968 us, beautiful art baroque sunny psych)



This superbly melodic and strange distillation of pop, folk, psych and jazz was inspired by the paintings of Paul Klee, and first appeared in 1968. Despite being credited to a proper band, it was in fact a studio recording overseen by the Cleveland-based team of jazz composer Chuck Mangione and local producer-arranger Roger Karshner, who called the songs ‘electronic paintings’. The album is presented here, complete with two rare bonus tracks from a pre-LP 45 credited to Bhagavad-Gita.

This mysterious album emanated from Cleveland, where producer Roger Karshner (who’d been involved with local hit-makers the Outsiders) and jazz musician Charles ‘Chuck’ Mangione decided to collaborate on a selection of so-called ‘electronic paintings’ based on the work of German-Swiss abstract painter Paul Klee (1879-1940). The first fruits of their labours emerged in 1967 – a single credited to Bhagavad-Gita (the Vedic Bible, translating as ‘song of the most holy’), featuring two takes on Long Hair Soulful, one vocal and one instrumental. Though it was no hit (making the original picture sleeve issues - Philips 40485 - highly sought-after today), they proceeded with an album the following year. 

The Bhagavad-Gita promotional material made the lofty claim that Karshner had ‘reached a completely new plateau in the realm of pop contemporary music by putting the works of Klee to music,’ and the album is indeed highly unusual. Though credited to a band (who are pictured on the back cover), it is thought to have been a studio project overseen by the two men, and was issued with a glossy leaflet including lyrics and reproductions of various Klee pictures. 

It must have been an expensive enterprise, and was not a successful one. Shortly afterwards, four of its tracks also appeared Diana In The Autumn Wind (GRC 9001), an instrumental jazz-pop LP recorded by Mangione’s brother Gap in August 1968, but conducted by him - Diana In The Autumn Wind, Boy With Toys, Pond With Swans and Long Hair Soulful. This fared even less well commercially, condemning the project to underserved obscurity, and putting a premature end to a nascent pop sub-genre. 
CD Liner-notes


Tracks
1. Barbaric, Classical, Solemn - 2:58
2. Diana In The Autumn Wind - 2:38
3. Boy With Toys - 2:30
4. Self Portrait - 2:35
5. Fear Of Becoming Double - 2:40
6. Pond With Swans - 3:08
7. A Child’s Game - 2:15
8. A Little Child Does Not Understand The Snow - 2:26
9. Fear Behind The Curtain - 1:46
10.Long Hair Soulfu - 3:31
11.Long Hair Soulful (non-LP 45a) - 3:33
12.Long Hair Soulful - instrumental (non-LP 45b) - 2:34
All music by Roger Karshner, Chuck Mangione, except track 8 by Roger Karshner, all lyrics by Roger Karshner

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Argent - In Deep (1973 uk, enjoyable soft prog rock, japan remaster)



In Deep, the band's fourth album, was originally released on Epic Records in 1973. While not as strong as its predecessors, it did produce the excellent single (and one of the best tracks on the album), "God Gave Rock and Roll to You," which made the Top 20 in England and charted well in North America. 

The original album contained eight songs, with half written by Ballard and the other half by Argent and White. The eccentric Be Glad and the prog epic Candles On The River redress the balance slightly. 

When the band split in 1976, Argent went on to pursue a solo career. Henrit opened a drum shop in London's West End and played in a band called Phoenix with Rodford, before they both joined the Kinks. 
by Keith Pettipas


Tracks
1. God Gave Rock And Roll To You  (Ballard) - 6:44
2. It's Only Money, Part 1  (Ballard) - 4:03
3. It's Only Money, Part 2  (Ballard) - 5:08
4. Losing Hold  (Argent, White) - 5:30
5. Be Glad  (Argent, White) - 8:38
6. Christmas For The Free  (Argent, White) - 4:15
7. Candles On The River  (Argent, White) - 7:01
8. Rosie  (Ballard) - 3:44

Argent
*Rod Argent - Keyboards, Vocals
*Russ Ballard - Lead Vocals, Guitar
*Bob Henrit - Drums
*Jim Rodford - Bass

1970  Argent - Argent (Japan remaster)
1971  Argent - Ring Of Hands (Japan remaster)
1972  Argent - All Together Now (Japan remaster)

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Tongue And Groove - Tongue And Groove (1969 us, amazing west coast psych blues rock, 2009 remaster)



Tongue and Groove were something of an offshoot of the legendary but little-recorded, early San Francisco hippie group the Charlatans. Singer Lynne Hughes had occasionally sung with the Charlatans on-stage in the mid-'60s (although she was never an official member), and even appears on vocals and guitar on a few cuts they recorded for Kama Sutra in 1966 (eventually seeing release on the CD compilation The Amazing Charlatans). 

Pianist Mike Ferguson, who occasionally sang lead with Tongue and Groove as well, was a bona fide original Charlatan, although he left by the time their one proper '60s album was issued. Richard Olsen, another Charlatan, played bass on Tongue and Groove's one LP; Hughes and Ferguson wrote much of the material, and yet another ex-Charlatan, Dan Hicks, contributed one composition as well. Tongue and Groove's self-titled album, released in the late '60s on Fontana, was produced by Abe "Voco" Kesh, who also worked with several other second-tier '60s Bay Area acts, such as Blue Cheer and Harvey Mandel; top session musicians James Burton (on dobro) and Earl Palmer (on drums) also contributed to the recording. 

As could be expected given their ancestry, the record had much in common with the Charlatans' fusion of old-timey saloon music, vaudevillian blues, and rock. The key differences were that a woman (Hughes) took most of the lead vocals, and that the lysergic tinge of much of the Charlatans' material was virtually absent. The numbers featuring Hughes' saucy vibrato vocals, which mine the territory between Janis Joplin and Mae West, are certainly the highlights of the album, a fitfully engaging footnote to late-'60s San Francisco rock. 
by Richie Unterberger


Tracks
1. Devil (Lynne Hughes) – 4:02
2. Come In My Kitchen (Lynne Hughes) – 3:45
3. Mailman’s Back (Michael Ferguson) – 6:25
4. Cherry Ball (Shake Shake Mama) (M. Lipscomb) – 3:44
5. The Shadow Knows  (Lieber, Stoller) – 2:35
6. Sidetrack (Lynne Hughes) – 6:05
7. Motorhead Baby (J. Watson, M. Delagarde) – 3:10
8. Duncan And Brady (Lynne Hughes) – 2:37
9. Rocks for My Pillow (Livin’ with the Blues) (B. McGhee) – 5:21
10.Fallin’ Apart (Dan Hicks) – 3:24

Tongue And Groove
*Michael Ferguson - Vocals, Keyboards, Percussion
*Lynne Hughes - Vocals
*Randy Lewis - Lead Guitar
With
*Eddie Adams - Bass
*James Burton - Dobro
*Therutius Deeps - Vocals
*Roger Dowd - Drums
*Fast Eddie Hoh - Drums
*Bob Lifton - Bass
*Jay Magliori - Horn
*Richard Olsen - Bass
*Tary Owens - Vocals
*Earl Palmer - Drums

Related Acts
1965-68  The Charlatans - The Amazing Charlatans
1969  The Charlatans - San Francisco
1970  Lynne Hughes - Freeway Gypsy (Vinyl edition)
1971  Stoneground - Stoneground
1971-72  Stoneground - Family Album

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Argent - All Together Now (1972 uk, splendid prog rock, japan remaster)



Since this only a shortie record review, there is no need to pad a basic positive or negative response with a two page synopsis on the band’s history. Thus, for all you know, Rod Argent, keyboardsman and vocalist for Argent, could have walked off the streets and into the studio.

Perhaps you’ve heard “Hold Your Head Up,” their single. If so, then you have an idea of the tremendous class and style the band has.

In England, the song and the album are at the top of the charts. But then, England was onto the Rolling Stones a full year before America was.
by Cameron Crowe,  July 7, 1972 

Thanks to the hit single "Hold Your Head Up," All Together Now was Argent's most successful album, and in many ways, it's also their most consistent. Although it isn't quite as interesting as the debut, the band has perfected an anthemic rock that owes as much to hard rock and progressive rock, and cuts like "Be My Lover, Be My Friend," "I Am the Dance of Ages," and "Keep on Rollin'" will appeal to fans of "Hold Your Head Up," even if they lack the wild spark of Argent. 
by Stephen Thomas Erlewine


Tracks
1. Hold Your Head Up  - 6:18
2. Keep On Rollin'  - 4:28
3. Tragedy (Russ Ballard) - 4:49
4. I Am The Dance Of Ages - 3:45
5. Be My Lover, Be My Friend - 5:20
6. He's A Dynamo (Russ Ballard) - 3:47
7. Pure Love  - 13:06
.I...Fantasia
.II..Prelude
.III.Pure Love
.IV..Finale
All songs by Rod Argent, Chris White except where noted

Argent
*Rod Argent - Organ, Electric Piano, Vocals
*Russ Ballard - Guitar, Piano, Vocals
*Jim Rodford - Bass Guitar, Guitar, Vocals
*Robert Henrit - Drums, Percussion

1970  Argent - Argent (Japan remaster)
1971  Argent - Ring Of Hands (Japan remaster)

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The Artwoods - Art Gallery (1966 uk, superb mod rhythm 'n' beat psych, 2009 remaster and expanded)



In contrast to the commercially-successful but artistically-bankrupt pop sensations of the UK’s 1960s beat era there was a small hardcore of bands in the UK who couldn’t get arrested record-sales-wise but whom other musicians would cross continents to catch playing live. Frequenting the trendy London club scene and playing funky tunes that oozed git-up-and-dance, they usually centred round a deft practitioner of the Hammond organ, and comprised the said keyboard god plus fellow musicians who refused to compromise their musical integrity and their blues and jazz influences. Alongside the likes of Graham Bond’s Organization, Georgie Fame’s Blue Flames and the Peddlers could be found the Artwoods, who despite their undeniable talent would have a brief career and only some of whom would find wider success in later combinations.

Vocalist and leader Arthur “Art” Wood was the elder brother of Ronnie, then guitarist with the Birds and later star sideman to Jeff Beck, Rod Stewart and the Glimmer Twins. Having served his on-stage apprenticeship with Alexis Korner’s Blues Incorporated, Art set about putting together his own band in 1963, finally settling with Derek Griffiths (gtr), Malcolm Pool (bs), Jon Lord (org) and Keef Hartley (drs). (A couple of familiar names there, then, but not till a few years later.) 

Eschewing the straight R’n’B of the Yardbirds, the Stones and the Animals, the Artwoods stuck out for the jazz-inflected soul mix that would soon be in vogue on the Soho club circuit, covering material by Jimmy Smith, Lieber & Stoller, Eddie Floyd, Allen Toussaint, Isaac Hayes and David Porter, and Solomon Burke. For four years they rocked the live club circuit until the trend towards psychedelia began to edge them out; unlike many of their contemporaries they declined to make that shift, electing instead to split in ’67.

The Artwoods did make records; over their four years they issued six singles plus – despite its cheesy title and homespun cover design – this splendid studio album. Predictably, none of these sold worth a damn: perhaps because the band’s oeuvre consisted almost completely of covers, albeit superb ones; perhaps because the recorded product lacked the visceral excitement of their live performances. The singles are indeed a little humdrum, given their attempts to polish their raw sound for commercial purposes, but the album is a gem of ensemble musicianship with flashes of individual brilliance. 

Recorded in a tiny basement studio in London’s Denmark Street under the tutelage of master Decca producer Mike Vernon, it clearly features the live set and gets as close as one could ask to the live vibe, only limited by the need to trim the tracks down to radio-friendly length. There’s a lot of variety available; the standout tracks include Burke’s “Down In The Valley” done in impeccable Stax style, Floyd’s “Things Get Better” as a superb garage soul opus with Merseybeat harmonies and raw-nerve fuzz guitar, and a scintillating cover of the Jimmy Smith instrumental “Walk On The Wild Side” in the middle of which the band lapse into a pure swing jazz groove and Lord produces an orgasmic solo that presages what he’d do with Deep Purple. Apart from a pedestrian reading of “If You Gotta Make A Fool Of Somebody” there’s not a dull moment amongst the twelve original tracks. Art’s rough-as-a-badger’s-arse vocal is a guilty pleasure and Messrs Lord and Hartley shine throughout.

The subsequent careers of Lord and Hartley are well documented, but Art himself enjoyed far less success. He briefly formed a new outfit in ’69 with the musicians who would become the Faces; perhaps predictably for an outfit called Quiet Melon, it sank without trace. Art moved into a new career in graphic design with his other brother Ted and Malcolm Pool, singing only occasionally thereafter as a hobby musician till his premature death from cancer in 2006. His recorded legacy is available on the current 2009 CD from Repertoire which also includes no fewer than fourteen bonus tracks taken from the singles and the mega-rare Europe-only instrumental EP Jazz In Jeans.
by Len Liechti


Tracks
1. Can You Hear Me (Toussaint) - 2:54
2. Down In The Valley (Berns, Burke) - 2:57
3. Things Get Better (Jackson, Floyd, Cropper) - 2:24
4. Walk On The Wild Side (Bernstein, Mack David) - 5:32
5. I Keep Forgettin' (Leiber,Stoller) - 2:26
6. Keep Lookin' (D. Burke, M. Burke, S. Burke) - 3:03
7. One More Heartache (Tarplin, Rogers, White, Robinson, Moore) - 3:09
8. Work, Work, Work (Neville) - 3:30
9. Be My Lady (Jackson, Jones, Dunn, Cropper) - 3:02
10.If You Gotta Make A Fool Of Somebody (Clark) - 2:01
11.Stop And Think It Over (Jones) - 2:57
12.Don't Cry No More (Malone) - 3:52
13.Sweet Mary (Ledbetter) - 2:53
14.If I Ever Get My Hands On You (Carter, Lewis) - 2:01
15.Goodbye Sisters (Lloyd) - 2:53
16.She Knows What To Do (Hill, Rebena) - 2:28
17.I Take What I Want (Hayes, Porter, Hodges) - 2:54
18.I Feel Good (Neville) - 2:42
19.What Shall I Do (Jenkins) - 2:50
20.In The Deep End (Gump) - 3:02
21.These Boots Are Made For Walkin' (Hazelwood) - 2:48
22.A Taste Of Honey (Scott, Marlow) - 3:13
23.Our Man Flint (Goldsmith) - 2:59
24.Routine (Lord) - 3:10
25.The St. Valentine's Day Massacre – Brother Can You Spare A Dime (Harburg, Gorney) - 2:52
26.The St. Valentine's Day Massacre – Al's Party (Martin, Gump) - 2:41
Bonus Tracks 13-26

The Artwoods
*Art Wood - Lead Vocals
*Derek Griffiths - Lead Guitar
*Jon Lord – Organ
*Malcolm Pool – Bass
*Keef Hartley - Drums
*Reg Dunnage - Drums

1964-67  Tha Artwoods - Singles A's & B's
Related Act
Keef Hartley's brands
1968-72  Not Foolish Not Wise
1969  Halfbreed (2008 Esoteric)
1969  The Battle Of North West Six  (2008 Esoteric)
1970  The Time Is Near (2008 Esoteric remaster)
1970  Overdog (2005 Eclectic)
1971  Little Big Band
1972  Seventy Second Brave (2009 Esoteric)
1972  Lancashire Hustler (2008 Esoteric)

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Kath ‎- One (1974 us, brilliant trippy basement psychedelia, 2011 double disc edition)



As with many others of my generation, watching "The Beatles" on the Ed Sullivan Show in early 1964 completely changed my life's desire from pursuing a medical education to playing in a Rock 'n' Roll band. I still remember that sudden dramatic change of ife. At first I tried playing the guitar. While some friends and I were just playing around a girl said that I played guitar like I was playing drums. We needed a drummer so I got my first set and started playing the drums—it was definitely a better fit! We called ourselves The Serfs. Band members were: Jim Bensen (guitar), Frank Moultrie (guitar and voca s), Ronnie Gomez (bass and vocals), and Val Rogolino (drums and vocals). 

What a great feeling it was to hear the sound come together. We played mainly Rock 'n' Roll and Soul music. I still remember the first time we played before a live audience and the sensational feeling I had of realizing that the people were dancing to our music. We played during the era of "Sock Hops" and "Teen Clubs." Later, we became a trio and changed our name to The Group. In 1969, we changed our name again to Badge, with band members: James (Cheese) Sellers (guitar and vocals), Jim O'Dell (bass and vocals) and Val Rogolino (drums and vocals). We started playing in night clubs and writing original songs as Badge. The recording bug hit us. Cheese and I did all the recordings.

In the early to mid 1970's, we made three 45 rpm singles and one EP. The tape recorder we used was a Teac 2340. Through the 70's, the band continued performing, recording, and utilizing different techniques and sounds and enhanced productions. 3RI I wanted to expand the recordings so I decided to make an LP. This LP was not a Badge project. I named the album Kath, and recorded it during the summer of 1974.

Kath had a variety of songs, more complex production and greater overall depth than previous projects. The musicians performing on this project: Cheese Sellers, Brent Buckley, Bruce Lapier, Bob George, and Val Rogolino. Recording began on March 31, 1974 and ended September 5, 1974. Only 60 copies were made. Some of the equipment used in the production: Teac 2340 (4 track tape recorder), a Kustom PA amp (mixing board), two Kustom PA columns (mix down speakers), a Vox Echo Unit, a Vox Jaguar (organ), Ludwig drums, and Shure microphones. Most songs needed 12 to 14 tracks—a lot of over dubbing was necessary. 

Badge still performed through the 70's adding horns, and female vocalists to our live performances. But of course, Disco reared its ugly head. The nightclub gigs dried up and many bands were out or work. The days of teen clubs and the night clubs of my era were a memory— a thing of the past. I'll always remember waiting for the next 45 or LP to be released, listening to live groups, comparing and just communicating with fellow musicians.  Sadly, the sound and feel, and the way we experienced the music were gone. 

As with many others of my generation, in the early 1980's I had to get a "real job", but music and recording remain my first love. The world of music still fills my lire and burns deeply in my heart and soul. "I fell in love with this world of song—laughing—crying as the years go on." When I was contacted by Rockadelic (in May 2005) regarding the Kath LP I revisited a cherished time. I appreciate Rockadelic for caring and taking the time to re-release this album. Many thanks to Rich Haupt, Carl Weiss, and Patrick the Lama. Special thanks to David Haffner, Steve Lorber, and Vincent Tornatore for releasing the CD version of Kath. Wherever this paths leads I'll treasure the entire venture. 

There are those who understand the feeling of playing and performing Rock 'n' Roll—that feeling will never fade away. Dedicated to all my friends and family for their love and support, and many thanks to countless musicians who brought their love to music. A heartfelt remembrance to those who experienced this world of music with me—I simply thank you.
by Val Rogolino

Not many albums can get you in the mood to blow out your speakers quite like Kath, a band that evolved from local Maryland 1960’s band Badge. This is an authentic low-fi DIY effort, recorded in the home of the band’s leader (and, yes, actually dedicated to his pet monkey—and his girlfriend!), originally released in 1974 in a micro edition of 60 hand-made copies, and later reconfigured for a legendary Rockadelic label LP version. 

Truth to tell, the Kath album is full of well written melodic songs with loose, semi-ramshackle, low-fi/no-fi production values. Nothing gets down and dirty quite like 'Say What You Feel,' with its blown out bass, killer guitar and drums, echoed vocals and sound effects; well, actually, ‘Love Me Down' is equally potent. The band also had a fondness for tape experimentation ('Seagulls') and simply screwing around ('Toilet Theme'). As Patrick the Lama said in Acid Archives, “Obscure and impressive melodic basement garage/psych excursion with a lo-fi atmosphere that would have most purveyors flip out, hits the Ampex two-track echo & tinny drum sound dead on....

 At times the vibe is almost like Mystery Meat or Index, and that's not something you run across every day. A totally outside garage/psych/private LP that feels as personally projected as those Michael Yonkers sides. Nuts lo-fi recording quality and impossible-to-figure production values gives this a nicely zonked almost real-people vibe. Keyboards, fuzz, heap of amateur avant spirit and a cover of 'Norwegian Wood' that ranks up there as one of the few listenable Beatles covers ever cut by teens with brains." There's also included Badge's excellent 1978 five-track EP as bonus tracks. 
Lion


Tracks
Disc 1 Kath "One" (Original Album)
1. I Want To Love You - 3:16
2. Lonely Again - 2:44
3. Goodbye Sunshine - 3:36
4. Tell Laura I Love Her (Barry, Releigh) - 4:11
5. Seagulls - 1:54
6. Silly Willy - 3:36
7. It Doesn’t Mean - 5:25
8. Candleman - 4:46
9. Norwegian Wood (Lennon, McCartney) - 2:50
10.BLPSVC - 4:12
11.Typical Recording Session (With Breakdown Of Instrumental Version Of Mother Dear) - 3:50
12.Mother Dear - 3:16
13.Say What You Feel - 2:54
14.Toilet Theme (With Part Of Say What You Feel) - 3:58
15.She’s The Girl I Love - 3:32
16.Love Me Down - 2:56
17.I Hear Them Laughing - 3:47
18.As I Looked - 4:02
19.Just Like You - 2:19
20.She - 2:13
Bonus tracks 16-20 from "Badge EP"


Disc 2  Unreleased Material
1. It Doesn’t Mean (EP Version) - 4:29  
2. I’ve Got That Feeling - 3:53
3. Tearfall In The Rain - 5:42
4. Look To Your Window - 3:47
5. The Great Pretender - 6:43
6. Little Miss - 3:31
7. Keep Tryin’ - 2:23
8. Do You Wanna Dance - 3:45
9. I Need You - 2:28
10.Everything I Do - 2:38
11.Sitting All Alone - 2:57
12.When You Walk In The Room - 4:03
13.Just A Little Smile - 4:14
14.I Lie Awake - 5:06
15.Singing Out Thoughts To My Lady - 5:27
16.A Gentle Breeze - 3:57
17.Le Fini - 2:56
18.C - 1:43

Kath
*Cheese Sellers - Rhythm Guitars
*Brent Buckley - Lead Guitar, Organ, Sax
*Bruce Lapier - Bass
*Bob George - Trumpet
*Val Rogolino - Drums, Tambourine, Vocals, Organ

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Focus - Ship of Memories (1976 dutch, elegant prog rock, japan remaster)



Ship of Memories, a collection of rarities from Focus' catalog, is somewhat more diverse than most of the band's other releases. Starting off with "P's March," a track rooted in the style of Focus' debut album In and Out of Focus, Ship of Memories gradually works its way through the band's many phases to the Mother Focus styled "Crackers." 

The album ends on a superb song, the U.S. version of "Hocus Pocus." For Europeans, this addition to Ship of Memories ("Hocus Pocus" U.S. was never on the LP version, but was later added to the CD release) comes as an absolute delight. Not only is the song a verified rarity on the continent, but it is also vastly different from the U.K. recording. Akkermans' guitar work, Van Leer's yodeling, and Pierre Van Der Linden's drumming are all given a new lease of life by the inclusion of this track. Collectors will be well-gratified by Ship of Memories, while casual listeners will find enough enjoyable material
by Ben Davies


Tracks
1. P's March (Thijs Van Leer) – 4:43
2. Can't Believe My Eyes (Jan Akkerman) – 5:17
3. Focus V (T. Van Leer) – 3:02
4. Out Of Vesuvius (J. Akkerman, Bert Ruiter, Pierre Van Der Linden, T. Van Leer) – 5:5
5. Glider (J. Akkerman) – 4:38
6. Red Sky At Night (J. Akkerman, T. Van Leer) – 5:50
7. Spoke The Lord Creator (T. Van Leer) – 2:32
8. Crackers (J. Akkerman) – 2:42
9. Ship Of Memories (P. Van Der Linden) – 1:48
10.Hocus Pocus (US Single Version) (J. Akkerman, T. Van Leer) – 3:24

Focus
*Thijs Van Leer - Keyboards, Flute, Vocals
*Jan Akkerman - Guitar
*Bert Ruiter - Bass Guitar
*Martin Dresden - Bass Guitar
*Pierre Van Der Linden - Drums
*Hans Cleuver - Drums
*David Kemper - Drums

1970  Focus - In And Out Of Focus (Japan remaster)
1971  Focus - Moving Waves (Japan remaster)
1972  Focus III  (Japan mini lp release)
1974  Focus - Hamburger Concerto  (Japan remaster)
1975  Focus - Mother Focus (Japan remaster)
Related Act
1969-70  Brainbox - Brainbox (2011 Esoteric expanded)

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